This Floating Poo Was Way Too Symbolic! These Are the TV Disappointments of the Past Year.

As we consider the TV offerings of the recent year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the productions that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Burdened with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. Briefly, as the third season began, it seemed as if it had finally found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, viewers certainly found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the flaws. The hilariously wooden dialogue? The mind-numbing glorification of affluence and materialism? The seemingly deliberate procession of cliches? Performances so poor they felt almost malicious? Let’s just say “each and every one” and forget about this series again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Primarily that it was just really dull; a conflict over narcotics territory between various cockney picaresques which felt a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this documentary series chose not to say them. Rather, the experience was akin to consuming a sales catalogue. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the smart recruitment of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series struggled painfully to find the right tone, lumbering from oddly breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for explicit exploits as she prepared for her most extreme challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Brenda Adams
Brenda Adams

A seasoned casino strategist with over a decade of experience in roulette analysis and probability theory.